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Inject All Operator WORK 2014 NEWS | Free SSH Internet

Inject All Operator WORK 2014 NEWS | Free SSH Internet

Internet gratis dengan VPN SSH Tunnel





pengertian vpn 300x214 Internet gratis dengan VPN SSH Tunnel







Pengertian VPN adalah Virtual Private Network yaitu, jaringan pribadi
yang digunakan untuk menghubungkan antar remote-site secara aman
meskipun setiap komputer tidak berada dalam satu Area Network (LAN).
Untuk dapat menggunakan layanan VPN, setiap komputer memerlukan aplikasi
khusus yang akan penulis jelaskan dalam artikel Internet gratis dengan VPN SSH Tunnel dibawah in.


Teknologi VPN sangat aman karena tidak dapat disadap dengan mudah,
juga tidak memungkinkan pihak lain untuk menyusupkan kedalam network tanpa memiliki account untuk dapat terhubung ke jaringan VPN.


Dalam kesempatan ini, penulis akan menjelaskan bagaimana menggunakan teknologi VPN untuk koneksi Internet gratis dengan VPN SSH Tunnel menggunakan operator kartu XL.


Yang harus disiapkan:

1. 1 buah kartu XL

2. Download software dibawah ini:

- MDMA by VALVEN (Free) MDMA yang lain juga boleh, tapi penulis pake MDMA BY VALVEN karena simple

- TG HTTP (Free)

- XL-PATH (Free) – ada juga yang menamakan dengan TG Luna

- Bitvise SSH Client (Free)

- Proxifier (berbayar) ada juga yang udah di bajak, coba cari aja di google.com

Langkah-langkah Setting Internet gratis dengan VPN SSH Tunnel













Spoiler: MDMA by VALVEN

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1. MDMA

Bukan lalu Connect

Pilih Dial-up yang sudah dibuat, jika belum, buat 1 buat Dial-Up dengan rincian setting:

- Network Connections => Pilih Adapter dialup yang sudah dibuat

- Pilih Options => Internet Protocol Version 4 (TCP/IPv4)

- Properties => General => Advanced

- Disable Use Default gateway on remote network

- Disable class based route addition

- Disable Use IP header compression

- Enable Automatic metric










Spoiler: TG HTTP

tg http vpn 280x300 Internet gratis dengan VPN SSH Tunnel














2. TG HTTP

Pilih Tab Server

- Enable Use Front Query

- Enable Use Host

- Enable Use X-Online-Host
Pilih Tab Network

Pilih Route : 202.152.240.50 => klik Route Add

Buka menu File => klik Save Config File (supaya setting yang telah kita lakukan akan tersimpan)

Buka menu File => klik Save Default Setting (supaya setting yang telah kita lakukan akan menjadi Default untuk koneksi selanjutnya)

Klik Start












Spoiler: XL-PATH

xl path vpn Internet gratis dengan VPN SSH Tunnel














3. XL PATH

Pilih XL-1 => Listen Port: 8089

Klik Start










Spoiler: Bitvise SSH Client

bitvise ssh client vpn 297x300 Internet gratis dengan VPN SSH Tunnel



4. Bitvise SSH Client

Pilih Tab Login

Server

Host : masukkan IP Address server VPN

Port : masukkan Port server VPN
Pilih Proxy settings

Enable Use proxy

Server : 127.0.0.1

Port : 8089 (harus sama dengan “XL-PATH => Listen Port“)


Proxy type : HTTP


Pilih Tab Services

Enable SOCKS/HTTP Proxy Forwarding

Liste Interface : 127.0.0.1

Listen Port : 1080

Server Bind Interface : 0.0.0.0


Simpan setting agar kedepan tidak perlu setting lagi dengan cara klik Save Profile disebelah kiri.


Kembali pada Tab Login, kemudian klik Login pada bagian bawah.


Tunggu hingga muncul tulisan “Innitializing SOCKS/HTTP CONNECT proxy on 127.0.0.1:1080 succeeded.” seperti gambar dibawah:


5. Proxifier

Menu Profile => Proxy Servers… => klik Add

Server

Address: 127.0.0.1 Port 1080 (harus sama dengan port pada setting “Bitvise SSH Client => Tab Services”.


Protocol => Enable SOCKS Version 5 => Klik OK


Menu Profile => Proxification Rules

Akan terdapat 2 rules Default yaitu : Localhost dan Default, Rules ini jangan di hapus atau di edit.


Buat Rules baru untuk Aplikasi-aplikasi yang ingin diberikan izin untuk dapat mengakses Internet, caranya:

Klik Add

Name : Ketik Nama Rules (misal: Firefox)

Applications : Pilih Browse… Cari lokasi file firefox.exe (misal. C:\Program Files\Mozilla Firefox\) Klik nama file firefox.exe, dan klik Open

Action: Proxy SOCKS5 127.0.0.1 => Klik OK


Silahkan ulangi langkah membuat Proxification Rules diatas pada semua aplikasi2 yang ingin diberikan izin untuk dapat mengakses internet.

Jika sudah selesai, Klik OK.


Jika sudah berhasil, akan muncul seperti ini pada Proxifier:












Spoiler: Proxifier

proxifier vpn 264x300 Internet gratis dengan VPN SSH Tunnel


Jika semua setting sudah dilakukan dengan urutan yang tepat seperti yang
dijelaskan diatas, sekarang Anda sudah dapat menggunakan Internet gratis dengan VPN SSH Tunnel. Jika masih belum terkoneksi, silahkan ulangi kembali langkah2 diatas.

Selamat mencoba!



Internet gratis dengan VPN SSH Tunnel | CuitNews.com

BablasHot!: Update Free Proxy Indonesia Ngebut

BablasHot!: Update Free Proxy Indonesia Ngebut:   IP Address Port Protocol Anonymity Country Region City Uptime Response Transfer 112.78.134.77 8080 HTTPS None Indonesia 99.1%...

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BablasHot!: GetGo Download Manager: GetGo Download Manager Free Download Internet Download Manager with YouTube Support Current Version: 4.9.0.1...

Tutorial Menggunakan OpenVPN Dengan Inject Tanpa SSH

MyTunnel.info akan menjelaskan step by step cara Menggunakan OpenVPN dengan Inject Tanpa SSH Menggunakan kartu XL, dan untuk kartu yang lain sama saja caranya, perbedaannya terletak hanya pada Inject SSH yang kamu pakai.





1.Download OpenVPN untuk 32bit dan 64bit di Web Resminya , download sesuai dengan windows yang kamu gunakan (32bit atau 64bit)


MyTunnel.info


2.Install OpenVPN (klik kanan run administrator untuk windows 7 keatas), kemudian next sampai finish.


MyTunnel.infoMyTunnel.infoMyTunnel.infoMyTunnel.infoMyTunnel.infoMyTunnel.info


3.Buka aplikasi Modem kamu lalu connect-kan atau sambungkan


MyTunnel.info


4.Buka aplikasi Inject SSH kamu . Lalu setting Listen port nya contoh

saya menggunkan inject dengan Listen port nya 4545, maka di aplikasi

OpenVPN nya juga setting dengan angka 4545.


2Buka

aplikasi OpenVPN yang tadi kamu install dengan cara klik kanan Run as

administrator, kemudian lihat disudut kanan bawah di desktop komputer

kamu, lalu klik kanan pilih setting dan pilih “Manual Configuration” dan

isi  Address dengan 127.0.0.1 port isi 4545 (karena Inject yang saya

gunakan, Listen port nya 4545)


MyTunnel.infoMyTunnel.info


5.Selanjutnya Buka Link ini OpenVPN Configuration File

.Pilih server yang kamu inginkan, lalu download file config sesuai

kebutuhan ,pada contoh ini saya mendownload file “config 443 TCP” dari

server indonesia.  Saya menggunakan “config 443 TCP” karna inject yang

saya gunakan support di “config 443 TCP”,  Sesudah di download extract

file tersebut.


MyTunnel.info


6. Masuk ke “C:/Pogram File/OpenVPN/Config”, hapus semua file yang

ada di dalam folder config, lalu copy dan paste kan file config yang

kamu download yang telah kamu extract tadi di folder config “C:/Pogram

File/OpenVPN/Config”.


MyTunnel.info


7. Buka web OpenVPN Account Creator

untuk membuat akun OpenVPN nya, username dan password diisi terserah

kamu,lalu create maka akan muncul username dan password beserta Date

Created dan data Expired nya.


MyTunnel.info





8. Buka Aplikasi OpenVPN yang tadi sudah kamu buka dengan cara Run as

administrator, (akan muncul disebelah kanan bawah pada desktop komputer

kamu), Klik dua kali,maka akan muncul kotak dialog username dan

password, isikan usename dan password yang tadi kamu ambil/create di web

mytunneling.com dan klik OK ( jangan lupa tiap username hasil pembuatan

di mytunneling.com selalu diawali tunvpn.com-[username]) .


MyTunnel.info


9. Cek apakah openvpn sudah terhubung, tanda sudah terhubung dengan benar maka icon OpenVPN berubah warna hijau


MyTunnel.info


10. Finish.. Kamu sudah bisa Internetan menggunakan OpenVPN.


Video Tutorial Cara Menggunakan OpenVPN Dengan Inject Tanpa SSH






Credit to : inject creator, mytunneling.com and mytunnel.info





Tutorial Menggunakan OpenVPN Dengan Inject Tanpa SSH | How to Tunnel Connection

Downloads OpenVPN 2.3.4 released on 2014.05.02

Downloads : https://openvpn.net/index.php/open-source/downloads.html





Downloads OpenVPN 2.3.4 -- released on 2014.05.02 (Change Log)


The most important change in this release is that TLS version

negotiation is no longer used unless it's explicitly turned on in the

configuration files, thus reverting back to the 2.3.2 behaviour as

interoperability issues were encountered in 2.3.3. Other notable changes

include addition of SSL library version reporting, fixing of SOCKSv5

authentication logic and making serial env exporting consistent between OpenSSL and PolarSSL. This release also contains a number of other bug fixes and small enhancements.


The Windows installer I001 had additional code to prevent problems

during install and uninstall if installer bitness is wrong or if the

OpenVPN-GUI or an OpenVPN process is running. The Windows I001

installers also bundled OpenSSL 1.0.1g, which means that they are immune

to the heartbleed vulnerability (OpenVPN-specifics here). WIndows I002 installers bundle OpenSSL 1.0.0h, which fixes several vulnerabilities, including a MITM vulnerability that affects OpenVPN.


All Windows users of OpenVPN 2.3.4 should upgrade to the latest release immediately.


Experimental Windows installers with NDIS 6 -enabled tap-windows drivers are also available for Windows Vista and above. Note that it is possible, even if unlikely, that the NDIS 6 drivers could crash, giving a BSOD. Long story short: please do not use them on valuable production systems.


If you find a bug in this release, please file a bug report to our Trac bug tracker. In uncertain cases please contact our developers first, either using the openvpn-devel mailinglist or the developer IRC channel (#openvpn-devel at irc.freenode.net). For generic help take a look at our official documentation, wiki, forums, openvpn-users mailing list and user IRC channel (#openvpn at irc.freenode.net).





























Source Tarball (gzip)openvpn-2.3.4.tar.gzGnuPG Signature
Source Tarball (xz)openvpn-2.3.4.tar.xzGnuPG Signature
Source Zipopenvpn-2.3.4.zipGnuPG Signature
Windows Installer (32-bit)openvpn-install-2.3.4-I002-i686.exeGnuPG Signature
Windows Installer (64-bit)openvpn-install-2.3.4-I002-x86_64.exeGnuPG Signature



Instructions for verifying the signatures are available here.


We also provide static URLs pointing to latest releases to ease automation. For a list of files look here.


This release is also available in our own software repositories for

Debian and Ubuntu, Supported architectures are i386 and amd64. For

details. look here.


Note that easy-rsa is no longer bundled with OpenVPN source code archives. To get it, visit the easy-rsa page on GitHub, or download it from our Linux software repositories.



OpenVPN 2.3.2 -- released on 2013.06.03 (Change Log)

This is an old point release and you should in general use OpenVPN

2.3.4 instead. However, as OpenVPN 2.3.4 contains a few potentially

disruptive changes you may want to use this older release instead.

Windows I004 installers included a fix for the very serious heartbleed vulnerability (OpenVPN-specifics here). Windows I005 installers bundle OpenSSL 1.0.0h, which fixes severe security issues.


All Windows users of OpenVPN 2.3.2 should upgrade to latest 2.3.2 or 2.3.4 release immediately.
























Source Tarballopenvpn-2.3.2.tar.gzGnuPG Signature
Source Zipopenvpn-2.3.2.zipGnuPG Signature
Windows Installer (32-bit)openvpn-install-2.3.2-I005-i686.exeGnuPG Signature
Windows Installer (64-bit)openvpn-install-2.3.2-I005-x86_64.exeGnuPG Signature
Instructions for verifying the signatures are available here.



OpenVPN -- Older Releases

Older OpenVPN releases not explicitly listed above can be downloaded from here (alternate link).


WARNING: The Windows installers for these old releases may contain OpenSSL versions that have the heartbleed vulnerability or other serious security issues. You should not

use any of these old OpenVPN Windows installers, unless you are

absolutely sure it's safe in your use case. If you depend on an old

OpenVPN version make sure you build the Windows binaries yourself and

link them to an up-to-date OpenSSL version.



OpenVPN -- Packages and ports

OpenVPN is available in repositories of most open source operating systems such as Debian, Ubuntu, Fedora, FreeBSD and Maemo.

Some of them may have several versions available, e.g. one for latest

beta branch, one for latest development code and one for stable

releases. Using these OS-provider versions is usually easiest. However

the OpenVPN project also packages latest OpenVPN releases for some open

source operating systems. Take a look here to see if these packages are available for your OS.






Tap-windows

OpenVPN uses TAP-windows to provide virtual tap device functionality

on Windows. Normally you don't need to install TAP-windows separately,

as OpenVPN installers include it.














Source Ziptap-windows-9.9.2_3.zipGnuPG Signature
Windows Installertap-windows-9.9.2_3.exeGnuPG Signature
Most other operating systems have virtual tap device functionality in their kernels.



Easy-rsa

Starting with openvpn-2.3_alpha2 easy-rsa is no longer part of the OpenVPN source or binary packages. It can be downloaded separately from it's GitHub project page.



Openvpn-build

Official Windows binary packages are cross-compiled on Linux using mingw_w64 and the openvpn-build buildsystem. For details, look at the Wiki documentation.









LZO RPM Packages

The OpenVPN RPM package requires the LZO library for real-time link compression. (sources: Dag Wieers and SuSE distribution).

SEDULUR PAPAT

A. SEDULUR PAPAT KELIMO PANCER

Orang jawa tradisional percaya akan eksistensi sedulur papat/saudara empat yg selalu mendampingi seseorang dimana saja dan kapan saja selama orang itu masih hidup. Meraka memang ditugas oleh kekausaan alam untuk selalu setia membantu. Mereka tidak mempunyai badan jasmani tetapi ada baiknya dan kamu juga harus mempunyai hubungan baik dengan mereka

Adapun yang disebut sedulur papat adalah:
  1. KAKANG KAWAH: saudara tua kawah, dia keluar dari gua garba ibu sebelum kamu, tempatnya di timur warnanya putih
  2. ADI ARI-ARI: adik ari-ari, dia keluar dari gua garba ibu setelah kamu, tempatnya di barat warnanya kuning
  3. GETIH: darah yang keluar dari gua garba ibu sewaktu melahirkan, tempatnya di selatan warnanya merah
  4. PUSER: pusar yang dipotong sesudah kelahiran mu, tempatnya di utara warnanya hitam
Selain sedulur papat diatas, yang lain adalah kelima pancer itulah badan jasmani kamu. Merekalah yang disebut sedulur papat kelima pancer, mereka ada karena kamu ada. Sementara orang mengatakan mereka kiblat papat lima tengah (empat jurusan yang kelima di tengah). Mereka berlima di lahirkan melalui ibu.
Mereka itu adalah MAR dan MARTI, berbentuk udara. MAR adalah udara yang di hasilkan karena perjuangan ibu saat melahirkan bayi sedangkan MARTI adalah udara yang merupakan rasa ibu sesudah selamat melahirkan si jabang bayi. Secara mistis MAR dan MARTI ini warnanya putih dan kuning. Kamu bisa minta bantuan MAR dan MARTI setelah kamu melakukan tapa brata (laku spiritual yang sesungguhnya). 


B. AKTIVASI SEDULUR PAPAT KELIMO PANCER 

"Bismillahirrohmanirrohim...
Kun kata Allah, fayakun kata Muhammad, robbukum kata jibril, 
Ya Jibril Ya Mikail Ya Isrofil Ya Izroil, 
Ya iku Sang Ratu Kepyok Sang Ratu Herang Putih, Ka dulur bathin Ka anak bathin kanu opat lima pancer,
Ya ALLAH aku mohon diantar ke dulur bathinku ke anak bathinku,
yang hidup dalam satu hari satu malam.
Wahai dulur bathinku anak bathinku,
bantulah aku................
Berkat LA ILAHAILLALLAH MUHAMMADUR ROSULULLAH,
aku tahu asal mu 204 sambungan HU ALLAH (di baca 13X atau 75X selama 7 hari berturut2) 



C. UNTUK MINTA BANTUAN SEDULUR PAPAT KELIMO PANCER 

"Kakang kawah adi ari-ari sedulur tua papat lima pancer,
sing dumunung ana ing awak ingsun,
jungkungana laku ingsun jabang bayine...(nama anda) bisa kasembadan apa sing ana ati lan pikiran ingsun yaiku...(sebutkan permintaan anda ex: bisa ketemu kelawan sira sedulur kabeh), kanti kalis ing sambekala padang panjang...Amien..."
Sebelum membacanya sebaiknya baca alfatihah

http://sekawan-kumpulan-goib.blogspot.com/2012/08/sedulur-papat.html

Annotated Checklist of Musical Instruments In the Kyai Rengga Manis Everist Gamelan


National Music Museum Logo National Music Museum
Home  Collections Calendar Gift Shop FAQ Site Index Maker Index

Annotated Checklist of Musical Instruments In
the Kyai Rengga Manis Everist Gamelan

A selection of slendro instruments from the gamelan, Kyai Rengga Manis Everist, by Ud Soepoyo, Surakarta, Central Java, 1999

A selection of slendro instruments from the gamelan, Kyai Rengga Manis Everist by Ud Soepoyo, Surakarta, Central Java, Indonesia, 1999, can be seen on display in the Beede Gallery. Purchase funds gift of Margaret Ann Everist, Sioux City, Iowa, 1999.
What does the NMM's gamelan sound like? Listen to musical excerpts from the CD, Sayuk: Together in Harmony, recorded at the NMM in 2007 by The Sumunar Gamelan Ensemble of the Indonesian Performing Arts Association of Minnesota.
  • Ladrang, Sri Wibowo-Srepeg, Laras Slendro Pathet Songo (1904)
  • Lagu, Pemut, Laras Pelog Pathet Enem by Joko Sutrisno (2007)
  • Lancaran, Sayuk-Sampak, Laras Pelog Pathet Barang by Marto Pengrawit (1950), arr. by Joko Sutrisno
Listen to an "audio postcard," a short interview with members of the Tatag Gamelan Ensemble (USD), produced by Susan Hanson (South Dakota Public Radio), following an April 2004 performance at the National Music Museum. Members interviewed include Gamelan Director, Deborah Check Reeves (NMM Curator of Education), Maggie Sampson, Karen Lipp, and Shawn Parker.


Looking for a map? Link to the Perry-Castañeda Library Map Collection at the University of Texas at Austin for an excellent collection of historic and current worldwide maps. Click here for their selection of maps of Indonesia.


Checklist

Instrument Types Represented in the Kyai Rengga Manis Everist Gamelan Bedhug
Bonang Barung
Bonang Panembung
Bonang Panerus
Celempung
Engkuk / Kemong
Gambang
Gender Barung
Gender Panerus
Gong Ageng
Gong Siyem
Gong Suwukan
Kecer Wayang
Kemanak
Kemong
Kempiang / Kethuk
Kempul
Kendhang Ageng
Kendhang Ciblon
Kendhang Ketipung
Kendhang Wayang
Kenong
Kenong Japan
Kenthogan
Keprak
Kethuk
Kotak Tabuh
Mallets (Tabuh)
Rebab
Saron Barung
Sarong Demung
Saron Panerus (Peking)
Saron Wayang
Siter
Slenthem
Slentho
Suling
Tabuh (Mallets)
Maker's Sign


BEDHUG

Bedhug
NMM 9882. Bedhug. Barrel-shaped, teakwood drum. Two equally sized, water-buffalo- hide heads held in place by twenty-eight wooden pegs. Decorated with flower, leaf, and naga pattern covered in gold leaf. Length (head to head): 66.9 cm. One long teakwood mallet (tabuh) with thick, soft red cloth padding at one end. Three-piece stand decorated with nagas (dragons) wearing crowns ("dragon king"), and flower and leaf patterns covered with gold leaf.
Link to description of function and playing technique.

BONANG BARUNG

Bonang Barung
NMM 9873. Bonang Barung in Laras Slendro. Mid-sized bonang. Twelve bronze pots in two rows of six located in square openings in rectangular teakwood frame, suspended by string threaded through channels carved into frame. Frame decorated with flower and leaf patterns covered with gold leaf. Two removable wings on each end of stand carved in shape of two nagas (dragons) with intertwining tails at top, curved bodies, and heads resting at the bottom of the wings on both ends; covered in gold leaf. Length (wing to wing, not including wings): 223.8 cm. Diameter of largest pot (at base): 18.1 cm. Two mallets (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
NMM 9876. Bonang Barung in Laras Pelog. Mid-sized bonang. Fourteen bronze pots in two rows of seven. Length (wing to wing, not including wings): 223.8 cm. Diameter of largest pot (at base): 18.1 cm. Two mallets (tabuh).
Link to description of function and playing technique.
BONANG PANEMBUNG

Bonang Panembung
NMM 9872. Bonang Panembung in Laras Slendro. Largest member of the bonang group. Twelve bronze pots in two rows of six located in square openings in rectangular teakwood frame, suspended by string threaded through channels carved into frame. Frame decorated with flower and leaf patterns covered with gold leaf. Two removable wings on each end of stand carved in shape of two nagas (dragons) with intertwining tails at top, curved bodies, and heads resting at the bottom of the wings on both ends; covered in gold leaf. Length (wing to wing, not including wings): 223.8 cm. Diameter of largest pot (at base): 23.5 cm. Two mallets (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
NMM 9875. Bonang Panembung in Laras Pelog. Largest member of the bonang group. Fourteen bronze pots in two rows of seven. Length (wing to wing, not including wings): 257.1 cm. Diameter of largest pot (at base): 22.0 cm. Two mallets (tabuh).
Link to description of function and playing technique.

BONANG PANERUS

Bonang Panerus
NMM 9874. Bonang Panerus in Laras Slendro. Smallest member of the bonang group. Twelve bronze pots in two rows of six located in square openings in rectangular teakwood frame, suspended by string threaded through channels carved into frame. Frame decorated with flower and leaf patterns covered with gold leaf. Two removable wings on each end of stand carved in shape of two nagas (dragons) with intertwining tails at top, curved bodies, and heads resting at the bottom of the wings on both ends; covered in gold leaf. Length (wing to wing, not including wings): 223.8 cm. Diameter of largest pot (at base): 15.1 cm. Two mallets (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
NMM 9877. Bonang Panerus in Laras Pelog. Smallest member of the bonang group. Fourteen bronze pots in two rows of seven. Length (wing to wing, not including wings): 223.8 cm. Diameter of largest pot (at base): 15.0 cm. Two mallets (tabuh).
Link to description of function and playing technique.

CELEMPUNG

Celempung
NMM 9878 and 9879. Celempungs. Plucked zithers with four legs. Twenty-six strings in groups of two held in place by metal pins in an S-shaped wrest plank. Teakwood body decorated with flower and leaf pattern covered in gold leaf. Length: 103.1 cm. One tuning hammer.
Link to description of function and playing technique.

ENGKUK / KEMONG

Engkuk/Kemong
NMM 9891. Engkuk/Kemong in Laras Slendro. Suspended pots on teakwood frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 68.0 cm. Mallet (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
Link to description of function and playing technique.

GAMBANG

Gambang
NMM 9883. Gambang in Laras Slendro. Twenty teakwood bars on long, hollowed, rectangular block of teakwood. Wings carved with two nagas (dragons) on either side, tails intertwining, lotus leaf decoration in the center. Teakwood decorated with flower and leaf pattern. Carvings covered in gold leaf. Length (wing to wing, not including wings): 133.5 cm. Two long, slender mallets (tabuh) made of buffalo horn with disc of wood covered with a ring-shaped pad of red cloth.
NMM 9884. Gambang in Laras Pelog Pathet Nem. Twenty teakwood bars. Length (wing to wing, not including wings): 136.5 cm. Two mallets (tabuh).
NMM 9885. Gambang in Laras Pelog Pathet Barang. Twenty teakwood bars. Length (wing to wing, not including wings): 137.1 cm. Two mallets (tabuh).
Link to description of function and playing technique.

GENDER BARUNG

NMM 9859.  Gender Barung in Laras Slendro
NMM 9859. Gender Barung in Laras Slendro. Fourteen bronze bars suspended by a cord over sheet iron resonating tubes in a teakwood frame. Decorated with flower and leaf pattern covered with gold leaf. Feet decorated with a single leaf pattern covered with gold leaf. Length: 116.3 cm. Two small mallets (tabuh) with handles and disc-shaped heads with ring-shaped, red-cloth padding.
NMM 9860. Gender Barung in Laras Pelog Pathet Nem. Fourteen bronze bars. Length: 115.6 cm. Two small mallets (tabuh).
NMM 9861. Gender Barung in Laras Pelog Pathet Nem. Fourteen bronze bars. Length: 116.1 cm. Two small mallets (tabuh).
Link to description of function and playing technique.

GENDER PANERUS

NMM 9862.  Gender Panerus in Laras Slendro
NMM 9862. Gender Panerus in Laras Slendro. Fourteen bronze bars suspended by a cord over sheet iron resonating tubes in a teakwood frame. Decorated with flower and leaf pattern covered with gold leaf. Feet decorated with a single leaf pattern covered with gold leaf. Length (wing to wing, not including wings): 96.5 cm. Two small mallets (tabuh) with handles and disc-shaped heads with ring-shaped, red-cloth padding.
NMM 9863. Gender Panerus in Laras Pelog Pathet Nem. Fourteen bronze bars. Length: 97.0 cm. Two small mallets (tabuh).
NMM 9864. Gender Panerus in Laras Pelog Pathet Barang. Fourteen bronze bars. Length: 97.0 cm. Two small mallets (tabuh).
Link to description of function and playing technique.

GONG AGENG

Gong Ageng
NMM 9918. Gong Ageng in Laras Slendro. Large bronze gong with strong, thick cord through two holes in the rim. Diameter (backside): 79 cm. Three-piece stand shared by 9919. Teakwood stand decorated with nagas (dragons) wearing crowns ("dragon king") and flower and leaf pattern covered in gold leaf. Mallet (tabuh) with a long handle and heavy, thick red cloth padding on one end wrapped in red cord.
NMM 9919. Gong Ageng in Laras Pelog. Large bronze gong. Diameter (backside): 82 cm. Three-piece stand shared by 9918. Mallet (tabuh).
Link to description of function and playing technique.

GONG SIYEM

Gongs Siyem, Suwukan, and Kempul
NMM 9917A. Gong Siyem. Medium- to large-sized bronze gong with strong, thick cord through two holes in the outer rim. Diameter (backside): 63.7 cm. Three-piece teakwood stand decorated with nagas (dragons) wearing crowns ("dragon king") and flower and leaf pattern covered in gold leaf. Mallet (tabuh) with a long handle and heavy, thick red cloth padding on one end wrapped in red cord.
Link to description of function and playing technique.

GONG SUWUKAN

Gongs Siyem, Suwukan, and Kempul Gongs Suwukan and Kempul
NMM 9915A. Gong Suwukan in Laras Slendro "2." Medium-sized bronze gong with strong, thick cord through two holes in the rim. Diameter (backside): 51.4 cm. Three-piece teakwood stand decorated with nagas (dragons) wearing crowns ("dragon king") and flower and leaf pattern covered in gold leaf. Mallet (tabuh) with a long handle and heavy, thick red cloth padding on one end wrapped in red cord.
NMM 9915B. Gong Suwukan in Laras Slendro "1." Medium-sized bronze gong. Diameter (backside): 54.6 cm. Mallet (tabuh).
NMM 9917B. Gong Suwukan in Laras Pelog "1." Medium-sized bronze gong. Diameter (backside): 53.1 cm. Mallet (tabuh).
NMM 9917C. Gong Suwukan in Laras Pelog "2." Medium-sized bronze gong. Diameter (backside): 50.8 cm. Mallet (tabuh).
NMM 9917D. Gong Suwukan in Laras Pelog "7." Medium-sized bronze gong. Diameter (backside): 53.7 cm. Mallet (tabuh).
Link to description of function and playing technique.

KECER WAYANG

Gongs Siyem, Suwukan, and Kempul
NMM 9892. Kecer Wayang. Two pair of bronze cymbals. One of each pair attached to a small stand, the other two unattached, with small leather loops inserted through holes located in the center. Teakwood stand decorated with flower and leaf pattern covered in gold leaf. Length: 40.1 cm.
Link to description of function and playing technique.

KEMANAK

Gongs Siyem, Suwukan, and Kempul
NMM 9893A. Kemanak in Laras Slendro "6." Two metal, slit gongs, shaped out of a thick sheet of bronze curled into a curved tube similar in shape to a banana, with an open slit along one side from end to end. Length: 33.3 cm. Mallet (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the Kemanak.
NMM 9893B. Kemanak in Laras Slendro "1." Length: 34.3 cm. Mallet (tabuh).
Link to description of function and playing technique.

KEMONG (see ENGKUK)

KEMPIANG AND KETHUK

NMM Kempiang and Kethuk in Laras Slendro
NMM 9888. Kempiang and Kethuk in Laras Slendro. Two bronze pots in teakwood frame. Taller pot is the kempiang; squatter pot is the kethuk. Pots suspended by red cord attached to the frame. Decorated with flower and leaf pattern covered in gold leaf. Length (frame): 67.9 cm. Diameter of kethuk (at base): 20.5 cm. Diameter of kempiang (at base): 19.5 cm. Mallet (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
NMM 9889. Kempiang and Kethuk in Laras Pelog. Length (frame): 68.0 cm. Diameter of kethuk (at base): 23.0 cm. Diameter of kempiang (at base): 18.7 cm. Mallet (tabuh).
Link to description of function and playing technique.

KEMPUL

Gongs Siyem, Suwukan, and Kempul Gongs Suwukan and Kempul
NMM 9914A. Kempul in Laras Slendro "6." Small bronze gong with strong, thick cord passing through two holes in the outer rim. Diameter (backside): 36.6 cm. Three-piece teakwood stand decorated with nagas (dragons) wearing crowns ("dragon king") and flower and leaf pattern covered in gold leaf. Mallet (tabuh) with a long handle and heavy, thick red cloth padding on one end wrapped in red cord.
NMM 9914B. Kempul in Laras Slendro "5." Small bronze gong. Diameter (backside): 40.5 cm. Mallet (tabuh).
NMM 9914C. Kempul in Laras Slendro "3." Small bronze gong. Diameter (backside): 41.1 cm. Mallet (tabuh).
NMM 9914D. Kempul in Laras Slendro "1." Small bronze gong. Diameter (backside): 37.2 cm. Mallet (tabuh).
NMM 9914E. Kempul in Laras Slendro "2." Small bronze gong. Diameter (backside): 34.8 cm. Mallet (tabuh).
NMM 9916A. Kempul in Laras Pelog "6." Small bronze gong. Diameter (backside): 37.3 cm. Mallet (tabuh).
NMM 9916B. Kempul in Laras Pelog "5." Small bronze gong. Diameter (backside): 41.2 cm. Mallet (tabuh).
NMM 9916C. Kempul in Laras Pelog "3." Small bronze gong. Diameter (backside): 43.5 cm. Mallet (tabuh).
NMM 9916D. Kempul in Laras Pelog "7." Small bronze gong. Diameter (backside): 36.1 cm. Mallet (tabuh).
NMM 9916E. Kempul in Laras Pelog "1." Small bronze gong. Diameter (backside): 33.2 cm. Mallet (tabuh).
Link to description of function and playing technique.

KENDHANG AGENG

NMM 9865.  Kendhang Ageng
NMM 9865. Kendhang Ageng. Largest of the gamelan drums. Conical with a small and large head. Water-buffalo hide heads laced together with long strands of hide crisscrossed around the body. Teakwood body decorated with flower and leaf pattern covered with gold leaf. Length (head to head): 75.7 cm. Teakwood stand.
Link to description of function and playing technique.

KENDHANG CIBLON

Kendhang Ciblon
NMM 9869. Kendhang Ciblon. Mid-sized gamelan drum. Water-buffalo hide heads laced together with long strands of hide crisscrossed around the body. Teakwood body decorated with flower and leaf pattern covered with gold leaf. Length (head to head): 65.6 cm. Teakwood stand.
Link to description of function and playing technique.

KENDHANG KETIPUNG
NMM 9866 and 9865.  Kendhang Ketipung and Kendhang Ageng
NMM 9866. Kendhang Ketipung. Smallest of the gamelan drums. Water-buffalo hide heads laced together with long strands of hide crisscrossed around the body. Teakwood body decorated with flower and leaf pattern covered with gold leaf. Length (head to head): 44.8 cm.
NMM 9867. Kendhang Ketipung. Length (head to head): 46.0 cm.
Link to description of function and playing technique.

KENDHANG WAYANG

Kendhang Wayang
NMM 9868. Kendhang Wayang. Mid-sized gamelan drum. Water-buffalo hide heads laced together with long strands of hide crisscrossed around the body. Teakwood body decorated with flower and leaf pattern covered with gold leaf. Length (head to head): 68.6 cm. Teakwood stand.
Link to description of function and playing technique.

KENONG

Kenong
NMM 9886. Kenong in Laras Slendro. Six bronze pots suspended on three separate teakwood frames. Pots suspended red cord attached to the frame. Frames decorated with flower and leaf patterns covered in gold leaf. Length of frames: 89.7 cm, 89.8 cm, 89.9 cm. Diameter of largest pot (at base): 30.5 cm. Mallet (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
NMM 9887. Kenong in Laras Pelog. Six bronze pots. Length of frames: 89.3 cm, 89.5 cm, 90.0 cm. Diameter of largest pot (at base): 32.0 cm. Mallet (tabuh).
Link to description of function and playing technique.

KENONG JAPAN

Kenong Japan
NMM 9890. Kenong Japan in Laras Slendro and Pelog. Larger than the kenong (9886 and 9887). Two bronze pots suspended by red cord attached to teakwood frame. Decorated with flower and leaf pattern covered in gold leaf. Length (frame): 101.7 cm. Mallet (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the pots.
Link to description of function and playing technique.

KENTHOGAN

Kenthogan
NMM 9920. Kenthogan. Hollow, slit wooden tube. Teakwood body decorated with flower and leaf pattern covered in gold leaf. Length: 48.9 cm. Teakwood stand.
Link to description of function and playing technique.

KEPRAK

Keprak
NMM 9921. Keprak (also kaprak). Four bronze plates tied together with cord and hung from a bronze hook. Length: 16.0 cm.
Link to description of function and playing technique.

KETHUK (see KEMPIANG)


KOTAK TABUH

Kotak Tabuh
NMM 9922. Kotak tabuh (mallet box). Teakwood box hinged on one side, decorated with flower and leaf pattern covered in gold leaf. Length: 51.8 cm.
NMM 9923. Kotak tabuh (mallet box). Length: 51.8 cm.
Link to description of function.

MALLETS (TABUH)

Mallets (Tabuh)


REBAB

Rebab
NMM 9870 and 9871. Rebabs. Teakwood body, neck, and tuning pegs. Strung with a single brass string that is wrapped around one peg, stretched down over the body, wrapped around a knob and ringlet at the foot, returned back across the body, and wrapped around second peg. Back of body covered with a red cloth decorated with gold-colored embroidery. Length: 111.8 cm. Teakwood stand decorated with flower and leaf pattern covered in gold leaf. Accessories include a bow (kosok), removable bridge (sreten), undecorated wooden case, block of rosin, and an extra coil of brass wire.
Link to description of function and playing technique.

SARON BARUNG

Saron Barung
NMM 9902. Saron Barung in Laras Slendro. Mid-sized member of saron group. Metallophone with seven large bronze bars placed over teakwood frame. Keys held in place by two pins inserted through holes in the bars and embedded in the frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 87.4 cm. Mallet (tabuh) with long handle and large, oval-shaped wooden striker.
NMM 9903. Saron Barung in Laras Slendro. Mid-sized member of saron group. Length: 86.9 cm. Mallet (tabuh).
NMM 9904. Saron Barung in Laras Slendro. Mid-sized member of saron group. Length: 84.9 cm. Mallet (tabuh).
NMM 9906. Saron Barung in Laras Pelog. Mid-sized member of saron group. Metallophone with seven bronze bars placed over teakwood frame. Keys held in place by two pins inserted through holes in the bars and embedded in the frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 86.7 cm. Mallet (tabuh).
NMM 9907. Saron Barung in Laras Pelog. Mid-sized member of saron group. Length: 88.0 cm. Mallet (tabuh).
NMM 9908. Saron Barung in Laras Pelog. Mid-sized member of saron group. Length: 88.5 cm. Mallet (tabuh).
NMM 9909. Saron Barung in Laras Pelog. Mid-sized member of saron group. Length: 88.0 cm. Mallet (tabuh).
Link to description of function and playing technique.

SARON DEMUNG

Saron Demung
NMM 9898. Sarong Demung in Laras Slendro. Largest member of saron group. Metallophone with seven large bronze bars placed over teakwood frame. Keys held in place by two pins inserted through holes in the bar and embedded in the frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 114.9 cm. Mallet (tabuh) with long handle and large, oval-shaped wooden striker.
NMM 9899. Sarong Demung in Laras Slendro. Largest member of saron group. Length: 114.6 cm. Mallet (tabuh).
NMM 9900. Saron Demung in Laras Pelog. Largest member of saron group. Length: 113.9 cm. Mallet (tabuh).
NMM 9901. Saron Demung in Laras Pelog. Largest member of saron group. Length: 114.3 cm. Mallet (tabuh).
Link to description of function and playing technique.

SARON PANERUS (PEKING)

NMM 9910.  Saron Panerus (Peking) in Laras Slendro
NMM 9910. Saron Panerus (Peking) in Laras Slendro. Smallest member of saron group. Metallophone with seven bronze bars placed over teakwood frame. Keys held in place by two pins inserted through holes in the bars and embedded in the frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 66.6 cm. Mallet (tabuh) with a long handle tipped with water buffalo horn.
NMM 9911. Saron Panerus (Peking) in Laras Slendro. Smallest member of saron group. Length: 67.1 cm. Mallet (tabuh).
NMM 9912. Saron Panerus (Peking) in Laras Pelog. Smallest member of saron group. Length: 66.5 cm. Mallet (tabuh).
NMM 9913. Saron Panerus (Peking) in Laras Pelog. Smallest member of saron group. Length: 67.7 cm. Mallet (tabuh).
Link to description of function and playing technique.

SARON WAYANG

NMM 9905.  Saron Wayang in Laras Slendro
NMM 9905. Saron Wayang in Laras Slendro. Mid-sized member of saron group. Metallophone with nine large bronze bars placed over teakwood frame. Bars held in place by two pins inserted through holes in the bars and embedded in the frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 92.4 cm. Mallet (tabuh) with long handle and large, oval-shaped wooden striker.
Link to description of function and playing technique.

SITER

NMM 9880.  Siter
NMM 9880. Siter. Plucked zither with four legs. Twenty-four wire strings. Teakwood body decorated with flower and leaf pattern covered in gold leaf. Length (long side / short side): 58.5 / 45.8 cm. One tuning hammer and a small coil of extra wire.
NMM 9881. Siter. Plucked zither with four legs. Twenty-four wire strings. Length (long side / short side): 58.6 / 46.4 cm. One tuning hammer and a small coil of extra wire.
Link to description of function and playing technique.

SLENTHEM

NMM 9857.  Slenthem
NMM 9857. Slenthem in Laras Pelog. Seven bronze keys suspended by a cord over sheet-iron resonating tubes in a teakwood frame. Decorated with flower and leaf pattern covered with gold leaf. Feet decorated with a single leaf pattern covered with gold leaf. Length: 89.2 cm. Mallet (tabuh) with a long handle and disc-shaped head with ring-shaped, red-cloth padding.
NMM 9858. Slenthem in Laras Slendro. Seven bronze keys. Length: 89.3 cm. Mallet (tabuh).
Link to description of function and playing technique.

SLENTHO

NMM 9924.  Slentho.
NMM 9924. Slentho in Laras Pelog. Similar to saron demung in size. Metallophone with seven large bronze bars placed over teakwood frame. Each bronze bar has node that is struck like a gong. Keys held in place by two pins inserted through holes in the bars and embedded into the frame. Decorated with flower and leaf pattern covered in gold leaf. Length: 115.2 cm. Mallet (tabuh) with red cord wrapped very close to one end creating a soft, springy, oval shape that comes in contact with the node of the bar.
NMM 9925. Slentho in Laras Slendro. Similar to saron demung in size. Length, 114.7 cm. Mallet (tabuh).
Link to description of function and playing technique.

SULING

Sulings
NMM 9894. Suling (flute) in Laras Slendro. One-piece, end-blown, bamboo flute with four finger holes. Length: 52.5 cm. Teakwood stand, shared with NMM 9897, decorated with flower and leaf pattern covered in gold leaf.
NMM 9895. Suling (flute) in Laras Slendro. One-piece, end-blown, bamboo flute with four finger holes. Length: 51.8 cm.
NMM 9896. Suling (flute) in Laras Pelog. Length: 54.98 cm.
NMM 9897. Suling (flute) in Laras Pelog. Length: 54.0 cm. Stand shared by NMM 9894, teakwood decorated with flower and leaf pattern covered in gold leaf.
Link to description of function and playing technique.

TABUH (MALLETS)

Mallets (Tabuh)


MAKER’S SIGN

Maker's Sign
NMM 9926. Maker's Sign. Stand with two hooks from which hangs the sign: MANUFACTURED BY. / UD. SOEPOYO. / MERTAN WIRUN / MOJOLANBAN. SUKOHARJO / JAWATENGAH – INDONESIA. / TELP. 0271.611883. Length (base of stand): 68.4 cm. Text and carving covered in gold leaf.

Go to The Manufacture and Ceremonial History of the Kyai Rengga Manis Everist Gamelan

Go to The Arrival of the Kyai Rengga Manis Everist Gamelan in Vermillion, July 15, 2000

Go to The Naming Ceremony for the Kyai Rengga Manis Everist Gamelan, April 26, 2003

Go to Glossary of Terms Relating to the Kyai Rengga Manis Everist Gamelan

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